Framed Plate No.5; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios I didn’t shed too many

I didn’t shed too many tears

it is the Rowley inlaid wood panels that are considered to be his outstanding work

and the owner seemed to believe the sculpture once stood on a wooden base

in the 12th century

The drawing is sharp and the size is appealingly nonconformist in that the piece is wider than most carpets that are of this length

Framed Plate No.5; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Curios I didn’t shed too manyOrigin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 13. 5 inches (in frame) Width: 20. 5 inches (in frame) London. M. A. Nattali. Folio. In landscape form, the framed and glazed single engraved plate leaf, numbered Pl. 5, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts bones of the spine and torso in five